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A moment later, he wakes up in a cold stark prison cell, with a spider web of chains shackling his arms and legs. His wine was drugged, he has been stripped of his identity and kidnapped, and he is about to be placed on a riverboat and sent down to Louisiana, where he’ll be sold into slavery. Gazing at his chains, as if he were in a bad dream that he simply had to wake up from, the great actor Chiwetel Ejiofor places us right inside his skin, and all of a sudden, we’re sharing the horror movie that Solomon’s life has become. Ejiofor has the noble sculpted features of an ancient Roman soldier, and he may also have the most eloquent eyes of any actor working. Now twinkly, now mournful, they are oversize orbs of pure expression, and in this movie, they need to be, because Solomon can’t often speak what he’s feeling. What we read in his intensely private, thousand-yard stare is the agony of a man robbed of freedom, but also the moment-to-moment recunciation of that despair. Whatever happens, he will persevere. He will survive. He will know misery, but he will not fall into the trap of madness. He will transcend.
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